Say good-bye, Cy, to the Shores of Representation: Towards an Abstract Romanticism

Authors

  • Forest Pyle

DOI:

https://doi.org/10.5399/uo/konturen.5.0.3376

Abstract

This essay is concerned with the ways in which the works of Cy Twombly, especially those paintings that refer to and draw their impetus from the poetry of Shelley and Keats, elaborate an impulse towards abstraction already latent in Romanticism itself.

Author Biography

  • Forest Pyle

    Forest Pyle is Professor of English Literature at the University of Oregon. His work explores the problems and possibilities posed by aesthetic experience, particularly in the context of Romantic and post-Romantic literature. His first book, The Ideology of Imagination: Subject and Society in the Discourse of Romanticism, examines the ideological workings and implications of the Romantic concept of the imagination from Wordsworth and Coleridge through George Eliot. He has recently published Art's Undoing: In the Wake of a Radical Aestheticism (Fordham, 2014).

Issue Cover Art

Downloads

Published

2014-03-22

Issue

Vol. 5 (2014): Abstraction and Materiality in the Arts, Literature, and Music

Section

Articles

How to Cite

Say good-bye, Cy, to the Shores of Representation: Towards an Abstract Romanticism. (2014). Konturen, 5, 85-104. https://doi.org/10.5399/uo/konturen.5.0.3376